This collection groups together 35 compositions of a diatonic accordionist who has actively participated in the emergence of “new European traditional music”, enabling his instrument to develop beyond the paths which were, up to then, laid out for it.

These pieces, their origins stretching over twenty years, from the repertoire of the groups of Djal, MKF (trio), Toctoctoc, Obsession Quintet or from collaborations within the milieus of theatre, contemporary dance or fine arts, reflect the subjective and non-exhaustive choices of their composer.

Melodies not just for accordionists, of varied difficulty, well-known or as yet unreleased, played live, in a studio or just left in a drawer, older or more recent, for dance or not…

Two details are noted on each page: the first concerns the model of diatonic accordion required (2R: two-row 8 bass, 2R+: two and a half-row 12 bass. 3R: 3-row 12 or 18 bass), the second lists them in order of difficulty (*, **, ***).

LIST OF PIECES

• Crépuscule 2R+ ** 
• Ivoirine 3R ** 
• Ivoirine (version en la mineur) 2R * 
• Valse au château 2R ** 
• Des bleus dans les yeux 2R ** 
• Maxime au parasol 2R *
• Inhibitude 3R ** 
• Spooke boelet 3R * 
• La chambre bleue 3R *** 
• Rue Riquet 2R ** 
• Le nombril du monde 3R ***
• Kynine 2R ** 
• Légère mirabelle 2R ** 
• Décalage horaire 3R ***
• Similitude 2R ** 
• César et Monique 3R ***
• Vici luna 3R ** 
• Les pieds de la dame aux clebs 2R **
• Ressemblance part III 2R ***
• Ouaivazy 3R **
• Un peu de piment en plus 2R **/* 
• Le pied Yayahte 3R **
• Kiproko 2R * 
• Novembre 3R ***
• La dérive des incontinents 3R *** 
• Valse label 5 2R * 
• Les deux visages de l’ange 2R+ ** 
• Fuseki 3R **
• Masque rouge 3R *** 
• Petits matins 2R * 
• Ex nihilo 3R **
• La 13ème fée 3R ** 
• Que celui qui n’a jamais 3R ** 
• Perpétuel mouvement 3R *** 
• Odalisque 3R ** 
• Le trophée du chameau 3R **